Kosovo Clubbing

Kosovo-born, Switzerland-based DJ & Producer,  Sabb , returns at  Matthias Tanzmann ’s record label ( Moon Harbour Recordings ), after 3 succesful releases (“Don’t kill my vibe EP” w/  Cuartero , remixed by:  Chris Wood  &  Meat , “One of Us” feat.  Forrest , remixed by:  Dennis Ferrer  &  Detlef  & “People of the Sun”), which were massively supported by some of the biggest names of the Electronic Music Industry. by  x This time, he re-debuts with “Daydream”, a track he did in collab with the Spanish DJ & Producer,  Manu Gonzales . It’s been played/being played by the biggest Tech House heads of the industry & it’s creating a unreal/different vibe, every single time. Artists like:  Hot Since 82 ,  Lauren Lane ,  wAFF ,  Pete Tong ,  Paco Oscuna , created top-notch & unreal moments, while playing “Daydream” during their sets at the world’s most famous rave venues ( Tomorrowland ,  Elrow ,  Blue Marlin Ibiza ,  Pacha ). Check out t

The first edition of  Massive Fest , was held at Fshajt Bridge or Saint Bridge (Albanian: Ura e Fshejtë or Ura e Shenjtë) - Djakovica, Kosovo on 19 & 20 May, 2017. With a unique location, spectacular visuals, mint soundsystem & a lineup for every taste in music, including artists like:  Hajdar Berisha ,  MIM , DJ DS, Mali, DJ 69,  Megan , Fidani & Onufri,  Dynamic Man ,  Nita Latifi  & Band, Vibe Honeyz,  Vegim  &  Flekitza , DJ Ace, Duo Deejay’s, Alexose,  Martin B ,  Fatos Çunaku , it was an attractive/long awaited, festival. The variative genres of music, like: rock, house, tech house, deep house & techno, followed by the breeze of the nature & the sound of the river (Drin), that surrounded the festival’s location, made that weekend, unique, unforgettable & non-repeatable. We attended the festival, just so we can give a detailed description of the festival, for all of you festival souls, that weren’t able to attend it. The backstage was open for

The last few years have seen a few regions outside Europe's main clubbing centres become hotspots for purist sounds. There's  Tbilisi , led by Bassiani, pushing no-nonsense techno. Then there's  Montevideo , with Phonotheque and its expert residents who spin electro, house and minimal. Thanks to Closer, you'll also find plenty of killer minimal in Kiev. And if  Vegim's   ' Breaking Point ' is anything to go by, there could be a scene brewing in Kosovo. A student of deep sounds,  Vegim's  output recalls the burrowing aesthetic of labels like Prologue, Semantica and Mote-Evolver, where steady groove meets precision synths and an ethereal touch. Vegim  covers an impressive range across  Breaking Point 's 15 tracks . It's grounded in club-ready techno, with beats that vary from straight and jacking to broken and complex, peppered with the kind of subtle acidic flourishes perfected by artists such as Donato Dozzy and Luke Slater. The track titl

Nowadays, after producing & releasing their first album, every artist of electronic music, wants to share it with the world. After failing to start his  “Breaking Point” - album world tour, due to visa refusal by some of the embassies, here in Kosovo & his bike accident, Kosovo based DJ & producer,  Vegim , finally starts his album world tour, on: Netherlands, France, Luxembourg, Belgium & Lithuania. The album, is released on his own record label,  TMM Records . It includes 15 tracks, all written & produced by  Vegim . In this album,  Vegim  spreaded his inspiration & creativity, into 15 tracks. It’s no surprise that the album, is supported by:  Chris Liebing , Dax J, Slam, Audio Injection aka Truncate,  Pfirter , Dave Miller (Abstract Division), Kr!z, SNTS, Armaud Le Texier, ELECTRIC RESCUE, AnGy KoRe, Lag, Boriqua Tribez. Within approximately 15 years of practising techno,  Vegim  has moved, from a talent to a mastermind. His 1st album tour gig,

After a performance in 2014 at the  Pulse Festival in Pristina ,  Miss Nat H Lee , has spinned for Kosovo clubbers for the second time. This time she played at  BASSTORE , previously MHz, in Pristina on 15th April 2017. Warm up at that night was local  DJ Lilac , fine light techno, followed on the stage by  Tatu , a DJ from Albania. He played tech-house with a combination of dance music, while at the very end, performed  Miss Nat H Lee. With 4 hours of good grooves of  Nat’s  techno, the crowd danced until the early morning hours. You may have noted that some of the audience wasn’t interested in her harder sound, but later they adapted with to the vibrations and dance moves they received from dj booth and  Miss Nat H Lee. During performance  Nat H Lee , supported Kosovar artists, as she included  Vegim  and  Flekitza's  'Rumble in the Jungle"  as well as a couple other of Vegim’s tracks in her list that night. Again, Nathaly delighted the audience w

Italian techno DJ, Producer and label owner of Shout Records (2010) and of Nightmare Factory Records (2011)   - Hi Electrorites, thank you for taking the time to answer our questions. Can you give us a short introduction to you / Shout Records / Nightmare Factory Records?  E: Thanks to you. My passion started 26 years ago. As an Italian techno DJ, i started to play 6 years ago in Europe. Later i also became producer. In 2010, i launched my first label Shout Records and in June 2011 my second label Nightmare Factory Records was born. They are two different labels with different styles of music, but both represent a lot of great artists! Last year was a great year, full of work with my labels, in the clubs, and in the studio. I worked on my first album, Structures, which was released last September on my label Nightmare Factory Records. It was a dream because you know, the first album is always something special.  - Your recently released track, "Spherical Geometry" on MFM Rec

 - Hi Pumio Space, thank you for your time for the interview. Can you give us a short introduction to you & and 99% Robot?  P: Hello! The concept behind my artist name and its philosophy of it is to create and manifest something different. If I’m not surprising myself then everything is super terrible. 99% Robot is a record label mostly focused in techno. At the moment I’m only releasing my own stuff.  - You graduated at SAE Institute for audio engineering, in 2014. What are your impressions about that institute?  P: It was quite a nice experience, meeting new people and sharing knowledge was great but that doesn't make you an artist. I’m anti-school especially when it comes to arts. The most fundamental thing to be an artist is to work on your own and push the imagination somewhere where no one has ever been.  - Your releases on 99% Robot, TMM Records, DSR Digital, and your first release on Credo, were satisfying. What keeps you going?  P: It’s a natural process, all my ene