Kosovo Clubbing

We are super stoked to invite you to check out the brand-new episode of TMM Records podcasts. Their 5-th episode with Skeef Menezes is a mesmerizing tapestry of electrifying elements, enriched by a kaleidoscope of diverse sonic backgrounds, pulsating rhythms, and entrancing sequences transporting you to uncharted realms of techno. Trust to our taste of # techno :) it's where all the techno-magic happens!  Go listen up NOW! :) TMM Records · TMM Podcast 005 - Skeef Menezes When you subscribe to TMM Records on YouTube , you'll be the first to score the freshest techno tracks, epic albums, killer releases, and mind-melting podcast episodes, and all of this with an incredible visual on every art they do.  We're talking about insanely talented underground techno artists from every corner of the world.  Don't miss out on this wild ride!  More about TMM Records on our portal you an find it HERE !

The Techno duo  Vegim   and  Flekitza   debut their first  12-inch vinyl release , with the hypnotic groove EP  "Shifting Operations"  on their label  TMM Recordings .  The label was founded in 2006 and to this day is constantly pushing the boundaries of techno music with the unique taste of talented artists.  "Few know that Prishtina has one of the dopest  techno  labels on the region — TMM Recordings. " -  frekvencii.org  Shifting Operations EP by Vegim, Flekitza This release includes 5 tracks, and the phenomenal review of them was done by Macedonian music journalist Andrijan Apostoloski for the music platform frequency.org, which aims to unite the youth of the Balkans through contemporary art and techno.   The project was supported by the Municipality of Prishtina , Department for Culture, during the pandemic years when the culture was hit the hardest and stagnated.  You can buy " Shifting Operations " on your favorite music stores around the world.

Leando Delanuuka best known as Le Martz is one of the most relevant new artist from Buenos Aires that has grown rapidly gaining tons of recognition in the local and international scene. We first heard of his work on techno label from Kosovo,  TMM Records  with his  Magma EP  in 2017. His Debut Ep 'SIMC0007' on Simplecoding is one of our favorites and got amazing reviews from us. Very good work! Now he Le Martz comes back with his second Ep named System with 2 original tracks loaded with sequenced sounds and pounding lows. This ep also contain remixes from the Mexican Damian Vargas and the Argentinian Oruam Zior to complement nicely and making this one great 2019 finale. Our favorite form this EP is Dry but we do love both remixes! This EP will be out soon on Simlecoding owned by Juan Trujillo. We are sooooo into Argentinian # techno :)

After a performance in 2014 at the  Pulse Festival in Pristina ,  Miss Nat H Lee , has spinned for Kosovo clubbers for the second time. This time she played at  BASSTORE , previously MHz, in Pristina on 15th April 2017. Warm up at that night was local  DJ Lilac , fine light techno, followed on the stage by  Tatu , a DJ from Albania. He played tech-house with a combination of dance music, while at the very end, performed  Miss Nat H Lee. With 4 hours of good grooves of  Nat’s  techno, the crowd danced until the early morning hours. You may have noted that some of the audience wasn’t interested in her harder sound, but later they adapted with to the vibrations and dance moves they received from dj booth and  Miss Nat H Lee. During performance  Nat H Lee , supported Kosovar artists, as she included  Vegim  and  Flekitza's  'Rumble in the Jungle"  as well as a couple other of Vegim’s tracks in her list that night. Again, Nathaly delighted the audience w

 - Hi Pumio Space, thank you for your time for the interview. Can you give us a short introduction to you & and 99% Robot?  P: Hello! The concept behind my artist name and its philosophy of it is to create and manifest something different. If I’m not surprising myself then everything is super terrible. 99% Robot is a record label mostly focused in techno. At the moment I’m only releasing my own stuff.  - You graduated at SAE Institute for audio engineering, in 2014. What are your impressions about that institute?  P: It was quite a nice experience, meeting new people and sharing knowledge was great but that doesn't make you an artist. I’m anti-school especially when it comes to arts. The most fundamental thing to be an artist is to work on your own and push the imagination somewhere where no one has ever been.  - Your releases on 99% Robot, TMM Records, DSR Digital, and your first release on Credo, were satisfying. What keeps you going?  P: It’s a natural process, all my ene

Later this month, the Kosovao based TMM Records reaches a revered landmark that many can only dream of. Ten years of top draw techno music under it’s belt and championing underground talent, it’s been a stable of creation first and foremost.  In celebration of this will see a twenty-track package of all-new material from new and returning artists. A distinct dancefloor sound can be heard in the spine of their extensive back catalog, where a balance of fun and seriousness which is hard to get right is delivered time and time again in abundance.  We caught up with label boss Vegim to discuss this milestone Q&A with Vegim by Jack! Who? for deathtechno.com  > Hi Vegim, thanks for taking the time to chat, can you give us a little introduction to yourself and TMM Records?  I am Vegim and I like to think that I make techno music , own a label, try to think positive in the most negative way possible and back and I like to watch when somebody fakes himself. TMMR is my home. I like to

It’s the “Zoom” festival organized by TMM records and Radio KFOR  And trust me, I have waited to overcome the bad feelings I had at the start of the party there. But somehow, I can’t get them out of my head. After the successful festival in Mitro “Feel the Peace” where everything was unbelievably super cool, with super young people who want to hang out and listen to music and in the hope that it would be the same in Leposavic, if not better, I was disappointed a little bit. You won’t believe me, but there are still people there that mix up some things, and I expected that in Mitro, but no, it happened in Leposavic. Even though the House of Culture was reserved for the festival, both with an oral and written agreement, and music was supposed to start at 8pm and go on till 4am. But, the karate players had to hold their three hour long training (till 10pm); otherwise they would have practiced karate on us. Then, before the party, a man, dead serious, told me that he is sure